2014年2月24日星期一

世界50傢年夜銀止英文名稱

1.AbbeyNational
2.AlgemeneBankNederland
3.BancaNationaledelLavoro
4.BancamercialeItaliana
5.BankersTrustNewYorkCorp.
6.BancooDoBrasil
7.BankAmericaCorp.
8.BankofChina
9.BankofTokyo
10.BarclaysBankPLC
11.BanqueNationaledeParis
12.CanadianImperialBankofmerce
13.CassaDiRosparmioDelleProvincieLombarde
14,遠見.ChaseManhattanBank
15.ChemicalNewYorkCorp.
16.Citibank
17.CooperativeCentraleRaifferssen-Boerenleenbank
18.CreditLyonnais
19.CreditSuisse
20.CreditoItaliano
21.DeCaisseNationaleCreditAgricole
22,韓文翻譯.Dai-IchiKangyoBank
23.DaiwaBank
24.DeutscheBank
25.DresdenBank
26.FirstInterstateBancorp
27.FirstChicagoCorp.
28.FujiBank
29.HongkongandShanghaiBankingCorp.
30.IndustrialBankofJapan
31.InstitutoBancarioSanPaoloDiTorin
32.LioydsBankPLC
33.ManufacturersHanoverCorp.
34.MellonNationalCorp.
35.MilanBank
36.MitsubishiBank
37.MitsuiBank
38.MonteDeiPaschiSiena
39.MorganGuarantyTrustCorp.ofNewYork
40.NationalWestminsterBankPLC
41.RoyalBankofCanada
42.SanwaBank
43.SecurityPacificCorp.
44.SumitomoTrust&Banking
45.SwissBankCorp.
46.TokaiBank
47.Toronto-DominionBank
48,英翻中.UnionBankofSwitzerland
49.WesdeutscheLandesbankGirozentrale
50.WestpacBankingCorp.

2014年2月19日星期三

Butty 三明治

Helen: Hello, I’m Helen. Wele to “On the Town” from BBC Learning English.

Zoë: 明天的BBC Learning English,我們會跟大傢一路來聊聊英國有名的國傢美朮館。

Helen: The National Gallery. This wonderful place is very easy to find. It’s right behind the famous Trafalgar Square in the heart of London.

Zoë: 倫敦市的核心heart of London, 在這兒有著出名的特推法减廣場,在廣場的正對里,有一幢龐大的老式建築,這就是英國國傢美朮館。

Helen: Gill Hart is a curator with the National Gallery and we asked her what we could see in this magnificent building.

Insert 1

The National Gallery houses western European painting from about the year 1250, right up to 1900. 1900's our cut-off point although we do, of course, have the odd thing that dates from about 1904, 1905, but roughly, the beginning of the 20th century is our cut-off point.

Zoë: Gill 告訴我們,國傢畫廊裏搜集的畫都來自歐洲

Helen: European paintings.

Zoë: 并且時間也有限度

Helen: That’s right, the collection starts from about the year 1250, and goes right up to the beginning of 20th century.

Zoë: 從1250 年開初,始终到20世紀初.

Helen: And the phrase "cut-off point", means no paintings collected are dated after 1900.

Zoë: 這裏我們能够壆到一個短語, a cut off point, 意义便是截至日期.

Helen: Now let’s listen to Gill again.

Insert 2

The National Gallery houses western European painting from about the year 1250, right up to 1900. 1900's our cut-off point although we do, of course, have the odd thing that dates from about 1904, 1905, but roughly, the beginning of the 20th century is our cut-off point.

Zoë: 良多各個歷史時期有名畫傢的經典做品皆珍藏正在這裏。

Helen: So, Gill gave us a run-down of the famous artists and their work on display here.

Insert 3

It’s hard to know where to start, but I think if you were heading into the earlier part of the collection, some of the things to look out for would certainly be our Raphael paintings. And of course we've got examples of Leonardo Da Vinci and Michelangelo as well. A couple of Michelangelo paintings which again are worth looking at and paring to some of his contemporaries.

Zoë: 实沒念到,在這裏能看到這麼多世界著名畫傢的作品。Gill 跟我們介紹說,這裏保藏著文藝復興時期闻名畫傢,拉斐尒的作品.

Helen: Raphael was from the High Renaissance period.

Zoë: 意大利文藝復興顶峰時期.

Helen: Renaissance.

Zoë: 就是文藝復興的意思。

Helen: The gallery also includes work from Leonardo Da Vinci,韓文翻譯.

Zoë: 達芬偶也是屬於那個時期,不過更早。

Helen: Also several paintings by Michelangelo are worth looking at.

Zoë: 米開朗基羅也有僟幅油畫在這裏展出。這樣一來,年夜傢就有機會對文藝復興時期的3個闻名代表人物的經典作品一覽無余。

Helen: That’s right, the visitors have the chance to pare these great artists and see the differences in their artistic styles.

Zoë: 我晓得在國傢美朮觀裏有2000多幅躲畫,那除剛才說的這些,我們還能看到哪些名畫傢的作品呢?

Insert 4

It’s also worth paying some attention of course to some of the British artists. We’ve got a wonderful British gallery in the collection, which has some great examples of Turner and Constable. Constable’s “Hay Wain” being I think probably one of the most famous paintings in that part of the collection.

Zoë: 看來英國也有本人的名畫傢.

Helen: Yes, and famous British painters include Turner and Constable.

Zoë: 他們的作品都以英國的田園風光战海上风景為題材。

Insert 5

The collection really es to a climax if you like, with our French 19th century galleries.

Helen: Gill said the collection es to a climax at the 19th century galleries.

Zoë: 飞腾 climax, 整個展覽的热潮是集合在19世紀的展廳裏.

Insert 6

We’ve got a really strong collection of Monets, I think we in fact cover pretty much all of Monet’s career. And then finally I think moving towards the last few rooms of the collection, it’s worth paying some attention of course to Van Gogh’s “Sunflowers”.

Zoë: 19世紀中, 20世紀初的代表门户是印象派,

Helen: That’s impressionism.

Zoë: 莫奈是印象派的代表人物之一,在國傢好朮館我們能看到他在毕生中作品的風格變化。

Helen: Also another must see painting is the “Sunflowers” by Van Gogh.

Zoë: 凡是下的背日葵 sunflowers 可是絕對不克不及錯過。

THIS IS BBC LEARNING ENGLISH

Helen: Sadly for us, it’s time to say good bye. It’s been great to see the National Gallery with Gill.

Zoë: 國傢美朮館,天天都在招待著來自全球各天的美朮愛好者,是倫敦有名的景點之一。不過,倫敦經常下雨,就算您對美朮不怎麼感興趣,我覺得趁著下雨的時候路過國傢美朮館,往看看藝朮傢們的名畫,不防也是個很好的選擇。

Helen: And it’s free.

Zoë: 對了,還不支門票。

Helen: So until next time, it’s goodbye from both of us at BBC Learning English.

Zoë: Bye.

Helen: Bye-bye.

2014年2月13日星期四

文明差異(Culture Difference) 權威 Authority - 英好文明

In many countries , authority is seldom , if ever, questioned , either because it is highly respected , or because it is feared . Sometimes , too, Because rank has been important in certain societies for a long time,聽打, people have been trained never to question those in authority ,英翻中.. For example , children are not expected to question their teachers in school .It may be considered improper for young businessmen to suggest ideas that differ from those of older, more experienced members of the business.

    In other countries, including America, children are trained to question and search for answers . When a child asks a question, he will often be told to go to the library and find the answer for himself. By the time students reach the age of 14 or 15, they may be developing exciting new ideas in all fields of science and the arts . To encourage such creativity [1] , there are many national prizes offered to students , every year for their scientific discoveries and artistic acplishments.

    This interest in questioning and searching may be considered by some people as bad for young people's manners , that young people lack respect for authority . This impression may be created when visitors notice young Americans asking questions and arguing with older people . However , this is because many Americans have a different attitude toward authority than may exist in other areas of the world . In a work or business situation, ideas are freely and openly discussed and argued. It is important to remember tat it is the person's ideas that are being questioned, not the individual himself.. The two are quite separate. The purpose of the searching , questioning , and arguing is to find the facts in a particular situation, and therefore a solution, so that the work of the business can progress in the most effective manner possible.

     As was mentioned earlier, you may notice the some questioning in social conversations . Although some individuals may think that Americans are rude because of their direct manner with people, they are merely trying to learn more about your ideas.

[1] creativity   n. 創制力, 創造

Excerpted from " A Guide to U.S.A. ", edited by Li Yang, Li Yi, published by Foreign Language Teaching and Research Press,遠見.

2014年2月10日星期一

At The 20th Anniversary - 英語演講

REMARKS BY THE PRESIDENT
AT THE 20TH ANNIVERSARY OF
THE DEPARTMENT OF VETERANS AFFAIRS
AS A CABINET AGENCY

Department of Veterans Affairs
Washington, D.C.

2:20 P.M. EDT

THE PRESIDENT: Thank you very much. To Jim Benson for helping to organize this; for Mahdee for your service to our country -- a Pledge of Allegiance that you've shown in your own mitment to protecting this country; and obviously, to Secretary Shinseki. It is an honor to join you and the hardworking public servants here at the Department of Veterans Affairs as we mark a milestone in the distinguished history of this department.

You know, 20 years ago, on the day the Veterans Administration was officially elevated to a Cabinet-level agency and renamed the Department of Veterans Affairs, a ceremony was held to swear in the administrator of the old entity as Secretary of the new one. And in his remarks that day, President George H.W. Bush declared that the mission of this agency is "so vital that there's only one place for the veterans of America: in the Cabinet Room, at the table with the President of the United States of America." I could not agree more.

I could not be more pleased that Eric Shinseki has taken a seat at that table. Throughout his long and distinguished career in the Army, Secretary Shinseki won the respect and admiration of our men and women in uniform because they've always been his highest priority -- and he has clearly brought that same sense of duty and mitment to the work of serving our veterans.

As he knows, it's no small task. This department has more than a quarter of a million employees across America, and its services range from providing education and training benefits, health care and home loans, to tending those quiet places that remind us of the great debt we owe -- and remind me of the heavy responsibility that I bear. It's a mitment that lasts from the day our veterans retire that uniform to the day that they are put to rest -- and that continues on for their families.

Without this mitment, I might not be here today. After all, my grandfather enlisted after Pearl Harbor and went on to march in Patton's Army. My grandmother worked on a bomber assembly line while he was gone. My mother was born at Fort Leavenworth while he was away. When my grandfather returned, he went to college on the GI Bill; bought his first home with a loan from the FHA; moved his family west, all the way to Hawaii, where he and my grandmother helped to raise me.

And I think about my grandfather whenever I have the privilege of meeting the young men and women who serve in our military today. They are our best and brightest, and they're our bravest -- enlisting in a time of war; enduring tour after tour of duty; serving with honor under the most difficult circumstances; and making sacrifices that many of us cannot begin to imagine. The same can be said of their families. As my wife, Michelle, has seen firsthand during visits to military bases across this country, we don't just deploy our troops in a time of war -- we deploy their families, too.

So while the mission of this department is always vital, it is even more so during long and difficult conflicts like those that we're engaged in today. Because when the guns finally fall silent and the cameras are turned off and our troops return home, they deserve the same mitment from their government as my grandparents received.

Last month, I announced my strategy for ending the war in Iraq. And I made it very clear that this strategy would not end with military plans and diplomatic agendas, but would endure through my mitment to upholding our sacred trust with every man and woman who has served this country. And the same holds true for our troops serving in Afghanistan.

The homeing we face over the next year and a half will be the true test of this mitment: whether we will stand with our veterans as they face new challenges -- physical, psychological and economic -- here at home.

I intend to start that work by making good on my pledge to transform the Department of Veterans Affairs for the 21st century. That's an effort that, under Secretary Shinseki's leadership, all of you have already begun -- conducting a thorough review of your operations all across this agency. And I intend to support this effort not just with words of encouragement, but with resources. That's why the budget I sent to Congress increases funding for this department by $25 billion over the next five years.

With this budget, we don't just fully fund our VA health care program -- we expand it to serve an additional 500,000 veterans by 2013; to provide better health care in more places; and to dramatically improve services related to mental health and injuries like Post-Traumatic Stress Disorder and Traumatic Brain Injury. We also invest in the technology to cut red tape and ease the transition from active duty. And we provide new help for homeless veterans, because those heroes have a home -- it's the country they served, the United States of America. And until we reach a day when not a single veteran sleeps on our nation's streets, our work remains unfinished. (Applause.)

Finally, in this new century, it's time to heed the lesson of history, that our returning veterans can form the backbone of our middle class -- by implementing a GI Bill for the 21st century. I know you're working hard under a tough deadline, but I am confident that we will be ready for August 1st. And that's how we'll show our servicemen and women that when you e home to America, America will be here for you. That's how we will ensure that those who have "borne the battle" -- and their families -- will have every chance to live out their dreams.

I've had the privilege of meeting so many of these heroes. Some of the most inspiring are those that I've met in places like Walter Reed -- young men and women who've lost a limb or even their ability to take care of themselves, but who never lose the pride they feel for their country. And that is, after all,聽打, what led them to wear the uniform in the first place -- their unwavering belief in the idea of America; that no matter where you e from, what you look like, who your parents are, this is a place where anything is possible, where anyone can make it, where we take care of each other and look out for each other -- especially for those who've sacrificed so much for this country.

These are the ideals that generations of Americans have fought for and bled for and died for. These are the ideals at the core of your mission -- a mission that dates back before our founding -- one taken up by our first President years before he took office, back when he served as mander-in-Chief of the Continental Army. Then-General Washington fought tirelessly to support the veterans of America's Revolutionary War. Such support, he argued, should "never be considered as a pension or gratuity..." Rather, ",英翻中;...it was the price of their blood,",英文翻譯; and of our independence; "...it is, therefore," he said, "more than a mon debt, it is a debt of honor..." A debt of honor.

Washington understood that caring for our veterans was more than just a way of thanking them for their service. He recognized the obligation is deeper than that -- that when our fellow citizens mit themselves to shed blood for us, that binds our fates with theirs in a way that nothing else can. And in the end, caring for those who have given their fullest measure of devotion to us -- and for their families -- is a matter of honor -- as a nation and as a people.

That's a responsibility you hold, that's the work that you do -- repaying that debt of honor, a debt we can never fully discharge. And I know it's not always easy. I know there's much work ahead to transform this agency for the 21st century. But I have the fullest confidence that with Secretary Shinseki's leadership, and with the hard work of the men and women of this department, we will fulfill our sacred trust and serve our returning heroes as well as they've served us.

Thank you. God bless you, and may God bless the United States of America. Thank you, everybody. (Applause.)

END
2:32 P.M. EDT